The Château was emptied of its furniture after the French Revolution, with consequently its dispersion since 1796. Napoleon I, who will spend the last days of his reign, gave a second life to the palace from 1804: he ordered arrangements and some operas and plays. Then, Louis XVIII and Charles X will make rare stays at the Château, while Louis-Philippe will be at the origin of the first restoration works. During the 19th century took place the latest works at the palace, which, in 1862, was listed as a historical monument. Under the Second Empire, the Palace became one of the holiday resorts of the court with Saint-Cloud, Compiègne and Biarritz: the Empress Eugenie will also be fond of the Turkish Boudoir. At the beginning of the Third Republic, Fontainebleau hosted some social and political receptions and, on rare occasions, some Presidents. It is from this period that date the painting of Jules-Marc-Antoine Frappaz preserved in the National Museum of the Château de Fontainebleau and on which is represented our fireplace surrounded by furnitures installed during the 19th century.
Our fireplace with its superb decoration, exact replica of the model of origin, is both the testimony of the splendors of the 18th century and of the history of the Château de Fontainebleau than the evolution of the fireplace in the 19th century.
CARLIER, Yves, Le Boudoir de Marie-Antoinette à Fontainebleau, Somogy éditions d'art, Paris, 2006.
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